Idris Khan: The Seasons Turn

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

On display in the upper gallery is an enveloping installation of large-scale blue paintings. Khan has often drawn inspiration from key philosophical and theological texts in his work, yet increasingly his own writings have become a conduit for investigating memory, creativity and the layering of experience. Unified by the use of the colour blue, using the artist’s own mix of gesso, rabbit skin glue, slate dust, marble dust and Prussian blue and Ultramarine blue pigments, the paintings on view feature passages of texts in which Khan expresses thoughts, feelings and responses to the past year. Diaristic in nature, these texts, once repeated and layered in sonorous blue oil, are distilled, a number of fragmentary experiences and disparate ideas becoming a single image. In this manner, while Khan ultimately eradicates the meaning of the original text, he constructs an abstract and universal language.

On display in the upper gallery is an enveloping installation of large-scale blue paintings. Khan has often drawn inspiration from key philosophical and theological texts in his work, yet increasingly his own writings have become a conduit for investigating memory, creativity and the layering of experience. Unified by the use of the colour blue, using the artist’s own mix of gesso, rabbit skin glue, slate dust, marble dust and Prussian blue and Ultramarine blue pigments, the paintings on view feature passages of texts in which Khan expresses thoughts, feelings and responses to the past year. Diaristic in nature, these texts, once repeated and layered in sonorous blue oil, are distilled, a number of fragmentary experiences and disparate ideas becoming a single image. In this manner, while Khan ultimately eradicates the meaning of the original text, he constructs an abstract and universal language.

On display in the upper gallery is an enveloping installation of large-scale blue paintings. Khan has often drawn inspiration from key philosophical and theological texts in his work, yet increasingly his own writings have become a conduit for investigating memory, creativity and the layering of experience. Unified by the use of the colour blue, using the artist’s own mix of gesso, rabbit skin glue, slate dust, marble dust and Prussian blue and Ultramarine blue pigments, the paintings on view feature passages of texts in which Khan expresses thoughts, feelings and responses to the past year. Diaristic in nature, these texts, once repeated and layered in sonorous blue oil, are distilled, a number of fragmentary experiences and disparate ideas becoming a single image. In this manner, while Khan ultimately eradicates the meaning of the original text, he constructs an abstract and universal language.

On display in the upper gallery is an enveloping installation of large-scale blue paintings. Khan has often drawn inspiration from key philosophical and theological texts in his work, yet increasingly his own writings have become a conduit for investigating memory, creativity and the layering of experience. Unified by the use of the colour blue, using the artist’s own mix of gesso, rabbit skin glue, slate dust, marble dust and Prussian blue and Ultramarine blue pigments, the paintings on view feature passages of texts in which Khan expresses thoughts, feelings and responses to the past year. Diaristic in nature, these texts, once repeated and layered in sonorous blue oil, are distilled, a number of fragmentary experiences and disparate ideas becoming a single image. In this manner, while Khan ultimately eradicates the meaning of the original text, he constructs an abstract and universal language.

On display in the upper gallery is an enveloping installation of large-scale blue paintings. Khan has often drawn inspiration from key philosophical and theological texts in his work, yet increasingly his own writings have become a conduit for investigating memory, creativity and the layering of experience. Unified by the use of the colour blue, using the artist’s own mix of gesso, rabbit skin glue, slate dust, marble dust and Prussian blue and Ultramarine blue pigments, the paintings on view feature passages of texts in which Khan expresses thoughts, feelings and responses to the past year. Diaristic in nature, these texts, once repeated and layered in sonorous blue oil, are distilled, a number of fragmentary experiences and disparate ideas becoming a single image. In this manner, while Khan ultimately eradicates the meaning of the original text, he constructs an abstract and universal language.

On display in the upper gallery is an enveloping installation of large-scale blue paintings. Khan has often drawn inspiration from key philosophical and theological texts in his work, yet increasingly his own writings have become a conduit for investigating memory, creativity and the layering of experience. Unified by the use of the colour blue, using the artist’s own mix of gesso, rabbit skin glue, slate dust, marble dust and Prussian blue and Ultramarine blue pigments, the paintings on view feature passages of texts in which Khan expresses thoughts, feelings and responses to the past year. Diaristic in nature, these texts, once repeated and layered in sonorous blue oil, are distilled, a number of fragmentary experiences and disparate ideas becoming a single image. In this manner, while Khan ultimately eradicates the meaning of the original text, he constructs an abstract and universal language.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

On display in the upper gallery is an enveloping installation of large-scale blue paintings. Khan has often drawn inspiration from key philosophical and theological texts in his work, yet increasingly his own writings have become a conduit for investigating memory, creativity and the layering of experience. Unified by the use of the colour blue, using the artist’s own mix of gesso, rabbit skin glue, slate dust, marble dust and Prussian blue and Ultramarine blue pigments, the paintings on view feature passages of texts in which Khan expresses thoughts, feelings and responses to the past year. Diaristic in nature, these texts, once repeated and layered in sonorous blue oil, are distilled, a number of fragmentary experiences and disparate ideas becoming a single image. In this manner, while Khan ultimately eradicates the meaning of the original text, he constructs an abstract and universal language.

On display in the upper gallery is an enveloping installation of large-scale blue paintings. Khan has often drawn inspiration from key philosophical and theological texts in his work, yet increasingly his own writings have become a conduit for investigating memory, creativity and the layering of experience. Unified by the use of the colour blue, using the artist’s own mix of gesso, rabbit skin glue, slate dust, marble dust and Prussian blue and Ultramarine blue pigments, the paintings on view feature passages of texts in which Khan expresses thoughts, feelings and responses to the past year. Diaristic in nature, these texts, once repeated and layered in sonorous blue oil, are distilled, a number of fragmentary experiences and disparate ideas becoming a single image. In this manner, while Khan ultimately eradicates the meaning of the original text, he constructs an abstract and universal language.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.

The Seasons Turn is a suite of 28 watercolour and oil collaged works on paper that incorporate fragments of the score of Vivaldi’s The Four Seasons. Music in its written and played forms has long been a source of inspiration for Khan who, in two- and three-dimensional works and film, has reimagined the work of composers including Beethoven, Chopin, Schubert and Bach. In these new works Khan returns to Vivaldi’s baroque masterpiece The Four Seasons, using fragments of the violin concerti’s scores as a springboard for his own visual evocation of a calendar year. Khan’s work has often alluded to the excessive proliferation of information in the technical age, whilst simultaneously advocating for a slower, more considered way of looking. Forced to slow down during this period of lockdown, in these works he reflects on his own increased awareness of the changing rhythms and colours of the natural world.